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Showing posts with label trump. Show all posts
Showing posts with label trump. Show all posts

Sunday, February 15, 2026

The Epstein files cover-up: Botched or calculated? | The Listening Post


This video from Al Jazeera's The Listening Post covers three main topics: the Epstein files, the internet crackdown in Iran, and the militarization of American football through the Super Bowl.

The first segment focuses on the Epstein files (0:43) and the alleged cover-up by the US Department of Justice.

The video highlights the disorderly release of over 3 million documents, 180,000 images, and 2,000 videos (0:43-0:52).
It discusses the failed redaction of names of high-profile suspects and the accidental exposure of victims' identities (1:02-1:06).

The segment emphasizes the lack of accountability in the US, particularly concerning Donald Trump's name appearing frequently in the files (1:31-1:38).

 Accountability in the U.S. fails due to several factors:

Lack of Action Despite Evidence: Despite the release of the Epstein files and awareness of what happened, no one is facing accountability (2:47-2:51).
Media Complicity: The media is seen as complicit because it is not asking key questions about the unredacted parts of the files (2:52-2:57).
Politicization of Justice: The Department of Justice (DOJ) is described as essentially serving as "Trump's personal law firm" rather than representing the American people's interests (4:06-4:14). This suggests a breakdown in the impartiality of the justice system.
Calculated Strategy: The release of the files is seen by some as a "calculated move" to "muddy the waters" and solely blame the deceased Jeffrey Epstein and his accomplice Ghislaine Maxwell, rather than the wider network (3:00-3:08, 4:37-4:55).
Political Party Loyalty: Unlike in the past (e.g., Watergate), Republicans are no longer willing to stand up to a Republican president, backing "every move that he does" regardless of scandal (8:09-8:31). This prevents accountability from within the political system.
Gaslighting through Media Apparatus: The video claims a "media apparatus" is dedicated to "gaslighting millions of people each and every day to believe that he did absolutely nothing wrong" (8:41-8:50), making it difficult for the public to demand accountability.
Deep Societal Rot: The speaker expresses concern that "pedophilia is no longer a bipartisan issue" and that the "rot inside of this country is so incredibly deep," making it difficult to mend the "deep fracture" in the justice system (9:04-9:18:49).
Unwillingness of US Government to Pursue Justice: It is stated that the U.S. will most definitely not get accountability, and other governments abroad are encouraged to pursue it instead (9:52-9:55).

Experts in the video suggest the release was a calculated move to muddy the waters and pin the syndicate on Epstein alone (3:00-3:08, 4:37-4:55).
The role of social media and crowd-sourcing in scrutinizing the files is also discussed (10:10-10:26).
The second segment covers the internet blackout in Iran (11:31) and the repression of journalists.

Iranian authorities imposed a total internet blackout during anti-government protests, leading to a renewed wave of repression against journalists and political figures (11:31-11:47).
The video notes the difficulties journalists face in reporting and the punitive measures taken against them (11:53-12:23).
It suggests that Chinese technology from companies like Huawei and Hikvision may be aiding Iran in its internet filtering and surveillance capabilities (13:05-13:34).
The final segment examines the militarization of American football and the Super Bowl (14:12).

The Super Bowl is presented as a spectacle where militarism is aggressively marketed, from choreographed flyovers to flags (14:15-14:23).
The deep-rooted relationship between the NFL and the military is explored, with football's language often mirroring war analogies (15:58-16:13).
The segment highlights the mutual benefits of this relationship, allowing the military to showcase hardware, recruit soldiers, and reinforce narratives (16:49-16:57).
The "paid patriotism" scandal of 2015 is mentioned, where taxpayer funds were used to stage military displays during games (19:07-19:22).
The segment concludes by asserting that these events present a sanitized version of military service, allowing Americans to feel patriotic without confronting the harsh realities of war (22:46-23:07).

Saturday, February 7, 2026

I watched Melania's movie so you don't have to.



This video offers a critical review of the Melania Trump movie, exploring Melania's public persona, her role as First Lady, and the perceptions surrounding her.

Here's a breakdown of the video's key points:

  • The Melania Movie (0:10-2:24): The creator discusses watching the Melania movie, noting its direction by Brett Ratner, who was pushed out of Hollywood due to Me Too accusations. The film's rights were acquired by Amazon CEO Jeff Bezos for $40 million. Despite the movie's intent to provide insight into Melania, the creator found it boring and felt it failed to reveal her true personality.
  • Melania's Persona and Ambitions (2:44-3:43): The video highlights a promotional image of Melania that strikingly resembles Claire Underwood from House of Cards, and an old ad showing Melania as a "gobos" (boss) and President of the United States. These images contradict her public reputation as a submissive wife, suggesting her ambitions are more complex than commonly perceived.
  • Early Life and Modeling Career (3:55-7:10): Melania Kavs was born in Slovenia in 1970. She started modeling as a teenager, leaving university to pursue it full-time. She worked in European fashion markets before moving to New York in 1996. The video discusses a controversial nude photoshoot she did for free with photographer Alexander Basville, which later resurfaced during her husband's presidential campaign.
  • Relationship with Donald Trump and First Lady Role (7:12-11:47): Melania met Donald Trump in 1998 and they married in 2005. Her public profile rose significantly with Trump's 2015 presidential run. The video touches on reports that she cried upon learning Trump would become president and the controversy surrounding her 2016 Republican National Convention speech, which plagiarized parts of Michelle Obama's 2008 speech. The creator questions the actual purpose and influence of the First Lady role, referencing journalist Katy Martin's views that a First Lady's intelligence and engagement are crucial.
  • Symbolism and Public Perception (12:11-15:20): The video notes Melania's strategic use of fashion, particularly her outfit at Trump's first inauguration, which echoed Jackie Kennedy's style to signal her fitness for the role. Her later 2024 inauguration outfit, with a black hat covering her eyes, was interpreted as a statement of setting her own terms and creating distance from her role and husband. The movie is criticized for focusing on her modeling experience and outfits rather than her stated desire to push the First Lady role beyond social duties.
  • "Be Best" Campaign and Public Backlash (16:50-17:52): Melania's "Be Best" anti-bullying campaign launched in 2018 is discussed, highlighting the irony when her husband publicly mocked a 16-year-old climate activist. This led to public backlash and questions about the sincerity of her initiative, as she did not publicly scold him.
  • Marital Speculation and Comparisons to Other Political Spouses (19:17-23:50): The video addresses the ongoing speculation about Melania's relationship with Donald Trump, especially after instances like the "hat incident" where she seemingly avoided his kiss. The creator explores two comparative stories of European political wives: Veronica Lario (ex-wife of Berlusconi), who divorced him due to his public behavior, and Carla Bruni (wife of Nicolas Sarkozy), who stayed by her husband's side despite corruption investigations. The creator concludes that the film doesn't question Melania's loyalty, suggesting she genuinely likes him and finds comfort in her wealthy life as First Lady.
  • Final Critique of the Film (24:14-25:01): A Guardian critic is quoted, describing the film as having "not a single redeeming quality," a "designer taxidermy," and a "gilded trash remake" that distracts viewers while her husband and his cronies dismantle the constitution.
 

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